One of my biggest personal goals in coming to Nigeria, especially as a percussionist, is to immerse myself in traditional music and drumming.Thankfully, I’m off to a pretty good start. Since the first month I’ve arrived, I’ve been learning the talking drum from my friend Emmanuel. Recently, I’ve also begun learning bata drums from a teacher I met at the Oyo State Cultural Center named Taiwo Musiaubata. Musibata (his shortened name) has travelled all over the world (Cuba, Brazil, Venezuela, Spain, England, France, and India) to teach bata drumming. His father and grandfather were both bata drummers. Traditionally, in Yoruba culture, children inherit work from their parents and start an apprenticeship with them when they are in their early teen years.
After taking drum lessons for close to ten years in America, the differences in the music, learning, and teaching styles have been really intriguing to me.
I’ll quickly explain the two main families of Yoruba drums: the talking drums and bata drums. Each family is comprised of a set of three drums. My goal is to have a good understanding of all six before I leave, and be able to play somewhat competently. Talking drums are made out of a special type of tree (I only know the Yoruba word, sorry). The skin is made from cow or horse skin.Cow skin is also used to make the strings that run up and down the side. The drum is played with a stick/beater called an “òpá” and the pitch of the drum is constantly changed by squeezing the strings on the side of the drum, thus tightening the tension of the head. The talking drum and Yoruba language are inseparable. Due to the fact that Yoruba is a tonal language, the drum is literally used to speak. Prayers and proverbs are so well-known that whenever I play for a Yoruba person, they repeat the sentence I’m using the drum to say using words, even though the drum uses tones instead of words. The talking drum is a whole other medium of communication. It is impossible to learn the talking drum without an extensive background in Yoruba language The talking drum is made up of three distinct drums: the omele, the gángan, ati the ìyálù (translation-mother drum), in order from smallest to largest. The omele drum usually plays a repetitive pattern to keep time (similar to a cascara pattern in Cuban Rumba music). The gángan and ìyálu drums are used to literally speak over the omele pattern in a traditional ensemble. The gángan is played by squeezing your entire arm around the drum. The ìyálu, which is very large, is only played with your hands. One hand beats the drum and the other grabs usually four strings to change the tension. Ìyálu drums also traditionally have sets of bells on the front and back. The bata family resembles the talking drum family in the sense that there are three drums: omele bàtá, omelet LOOK UP, and the ìyálu (sometimes called bàbálu, or father drum), in order from smallest to largest. Omele bata drums (the smallest, group of three) are usually beat with flimsy sticks made of dried cow skin. The larger drums are beat with one stick on the small head and beat with a hand on the larger head. The video below explains in more details.
So far I’ve had the opportunity to buy an omelet bata drum and a gangan drum.Both drums were custom-made by hand.They sound great and I’m really happy with them so far. I also have been fortunate enough to have two great teachers. Hopefully within due time I’ll become a true “àyàn” (drummer). I taped my first bata lesson and made a video (see below). Hope you enjoy!